Archive for the ‘Design Talk’ Category

Measure Twice, Cut Once

Friday, January 20th, 2012

The Martin Luther King, Jr. Memorial which opened to the DC public on August 25, 2011 has been hitting the news circuits this week, particularly in the midst of the MLK holiday on Monday. What was supposed to be a memorial honoring Dr. King’s life and work has become an example of the vital importance of thorough planning with the appropriate people prior to producing a design. At the center of the controversy is a quote chiseled into the granite, which shortens and paraphrases Dr. King’s words. The public is outraged that the quote is not a reflection of Dr. King’s humble character but instead portrays an image of a boastful leader. In light of the  public outcry Interior Secretary Ken Salzaar has ordered a plan to fix the erroneous “mis”-quotation. A situation like this is a nightmare to small business owners everywhere. An artist has created a piece of art that probably went through several rounds of approvals before creation. Now the artwork is finished and someone wants to make changes. Making changes in granite is not easy or cheap. I immediately thought, “who is going to pay for this?” It was a wakeup call to pay attention to this very serious step in the design process – the approval. An important question that needs to be addressed in the beginning of every project is “who is the decision maker?” “Who is giving the approval?” “Should the idea be tested before implementation?” The controversy with the quote on the King Memorial could have been avoided if the quote was vetted by people who had the authority to make changes. It’s a very unfortunate situation with an expensive fix.

Side View of Martin Luther King Memorial

Revisiting the power of the Internet

Wednesday, January 18th, 2012

As I sat in front of my computer this morning checking my email and searching for news, I was jolted out of my hazy ritual by an outcry on Facebook and a black screen on Google. Site after site that I visited had some form of black square with the words “censorship” written across the page. I wasn’t sure what it all meant at first but I immediately thought about the power of the message and the Internet. I couldn’t help but think about the design, marketing and media possibilities that aren’t being explored. The Internet blackout campaign today, in protest of the Senate Protect-IP ACT (PIPA) and the House of Representatives Stop Online Piracy Act (SOPA) is a powerful reminder of what is possible on the Internet and the significant voice that it has. The lights are out at Google and Wikipedia and everyone on Facebook is spreading the word. This shows that an idea with a little passion, creativity and organization can spread like wildfire. According to Eric Qualman, author of Socialnomics, “We don’t have a choice on whether we do social media, the question is how well we do it.” I’d say this protest campaign is using the Internet potential to get its message out loud and clear.

A montage of websites protesting PIPA and SOPA

A triple dose of design kudos

Monday, November 21st, 2011

Graves Fowler just got a package of “Way to Go” certificates. One of our fundraising campaigns, a logo and a marketing package all received American Graphic Design Awards. The competition honors outstanding design in all forms of media. It’s sponsored by Graphic Design USA, a New York-based news magazine for our industry and has been an annual tradition for over 40 years. Here are the winners.

The Combined Federal Campaign of the National Capital Area needed a new identity, marketing strategy and materials. GF worked with them for two campaigns to launch the identity and establish recognition. The result? A record-breaking total of over $132 million in pledges.

 

National Coalition to End Childhood Lead Poisoning asked GF to create the identity for a national initiative that would educate people about the link between unhealthy housing and children’s health. The U.S. Department of Housing and Urban Development, Centers for Disease Control and other major Federal agencies have partnered with the Coalition to provide an integrated approach to this important issue.

Nativity Miguel Network of Schools asked GF to develop new marketing materials that would help them open doors to education for underserved students across the country and make clear this organization’s leading role in the field.

 

National Design Week: Thursday

Thursday, October 20th, 2011

The Smithsonian’s Cooper-Hewitt Museum in New York established National Design Week in 2006 to draw attention to all the ways design influences our daily lives. This week I am taking a few moments to honor to some aspects of design that make life work better for people and communities.

Arrows

This morning on my usual bike route, I started to notice arrows everywhere. This humble symbol has a lot to do with design. From hand-drawn pointers to iconic logos, arrows direct us to safety, to information, to services and other stuff of life. As I rode on, even the trees started pointing to me!

Designers are symbol people. They create the arrows and letters and icons that communicate simple ideas or launch movements. Today, hats off to John Baskerville, Claude Garamond, Eric Gill, Herman Zapf and all the type designers who have given shape and form to the words and symbols of our lives.

 


National Design Week: Monday

Monday, October 17th, 2011

The Smithsonian’s Cooper-Hewitt Museum in New York established National Design Week in 2006 to draw attention to all the ways design influences our daily lives. Each day this week I am taking a moment to honor to some aspect of design that makes life work better for people and communities.

Thank you, Freeport Regional Water Authority

For Monday, kuddos go to local government in California. (Bet that doesn’t happen often these days!) I live near the Sacramento River where two regional water authorities worked together to build an intake plant that draws water from the river and distributes it to key areas throughout the region.

The facility sits at the end of a walking/biking path. It could have been a bleak, industrial end to a beautiful hike in California’s Central Valley. Instead, the design is a well-integrated, graceful building that graphically celebrates the river and the life it brings to the land.

The project was many years in the making, but it has been worth the wait. Thanks to design, this levee landmark offers a serene welcome to my neighbors as well as thousands of travelers heading toward the city along the nearby freeway.

 

BZZZ of the week: National Design Week

Tuesday, October 11th, 2011

A weekly post of catchwords that buzz around today. The BZZZ for this week is: National Design Week

It’s that time again. Next week is National Design Week. We’re all over this chance to revel in all things creative. The Smithsonian’s Cooper-Hewitt Museum in New York established this commemoration in 2006 to draw attention to all the ways design influences our daily lives.

With the passing of Steve Jobs last week, I hope that his impact receives a proper spotlight. I’m sitting in my office surrounded by his design. I spend many hours a day hands-on with his beautiful and functional products.

The American Institute of Graphic Arts’ Washington DC chapter is hosting a great selection of events to honor the week. Even if you are far from the professional world of design, I’m issuing a challenge to you. Each day next week, take a moment to appreciate some aspect of design that makes a difference for the better in the way life works. It won’t be hard to find examples.

Let me know what you find, and I’ll do the same.

Logos and brand identity: A step-by-step guide

Monday, August 29th, 2011

Who among us hasn’t experienced a little Apple envy? The logo and visual identity of this company is a success story that we all should be so lucky to experience. Logos and visual branding programs have been a foundation of smart, effective communications since graphic design first emerged as a field of work. Famous and infamous logo stories make for great reading and offer important lessons on how to approach this critical step in staking out your territory and attracting people to your services or products.

Just like everything else in communications these days, however, logos are caught up in the “everything is available online for cheap” approach that the Internet makes possible. We’ve seen a major Federal agency crowdsourcing its logo development. You can find $1.99 logos online or give your office assistant a program that does almost instant art. These options provide a logo that may look pretty good but has little relevance to your key positioning messages and organizational vision.

This 3-part series will give you a behind-the-scenes look at what goes into the creation of an effective, successful visual branding program. The process we’re sharing is one that we’ve developed and refined over many years. Whether you decide to use professional design services or not, I hope it helps you make wise decisions and achieve your goals.

Part 1: Discovery

Decide that it’s time

Obviously, when your organization or business is brand new or you’re going through a merger or acquisition, visual branding has to be a top priority. It’s also time for a change, however, when a logo ceases to match your organization’s position in the marketplace.

 

Starbucks’ unveiling of its updated visual branding this year is a perfect case in point. With the shift in the corporate plan away from a sole focus on coffee, their mark had to change, too. Now only the iconic mermaid remains.

 

The overhaul of the UPS logo several years ago is another prime example. Paul Rand’s design served UPS well for a long time, but the industry changed. UPS had grown into a highly technical company with carefully plotted routes and complex automated systems. A parcel package tied with a neat bow no longer represented the heart of the organization. The logo, as good as it was, had to be retired.

It’s also time for a change when you find yourself saying, “This logo is good enough.” We’ve seen a steady decline in the quality of communications as more and more organizations opt to publish materials created by sales or administrative staff. Maybe that sounds like sour grapes coming from a design team, but think about it. If your logo isn’t imprinting the uniqueness of your organization on the minds of your customers and constituents, it’s decoration not branding.  “Good enough” just isn’t good enough when competition for attention is so fierce.

Logos are key when you really want to lead the online conversation. One of our clients commented recently, “Do we even need a logo? We don’t print letterhead anymore.” The value of a strong visual brand is more important than ever today. Try to establish an effective page on Facebook, Twitter, LinkedIn or a blog without one. The list of marketing options is exploding and so is the need for good, solid branding.

Budgets have been slashed these days. You’re expected to do more and more with scarce resources. But the visual branding of your organization is foundational. Working through the visual identity development process will help you take an honest look at how you’re perceived, clarify your organization’s unique value and provide a powerful set of marketing tools to help you tell your story.

Gather internal perspectives

The first step is an inside assignment. We always start the logo process off with a survey of key stakeholders and staff to identify the internal perceptions about how an organization’s values, mission and vision line up with day-to-day realities. We may gather the information through one-on-one interviews, simple survey questions or a focus group approach. The goal is to capture the prevailing internal perceptions about what your organization really is, what you believe those on the outside see and how you want to be perceived.

It’s wise to have an objective third party gather the feedback so that answers will be heard without any pre-existing or conflicting opinions. We have a short survey with a set of questions that works in most cases.

It’s also important to do a scan of other organizations that operate in your same area of influence. Who are your competitors and collaborators? What messaging and identities are already in use? What sets you apart from these organizations?

Conduct external research

Frequently there is a gap between what people on the inside believe about the perceptions of their target audiences and what we find out to be true in our research. External research is an opportunity to verify your theories about the people you are trying to attract, sell to or influence.

Finding the right level of external research can be tricky, especially when you factor in the cost and time involved. It takes a combination of wisdom based on experience and reality-based planning to find the best approach. Here are some of the choices available:

  • One-on-one interviews with peers and colleagues
  • Surveying members or customers by inviting them to participate in a focus group or online survey
  • Posting a general survey or poll on your website or facebook page

The questions used in your research are not meant to determine whether people “like” your logo or hate your corporate blue. They are broader and deeper. Here are some examples of questions we’ve used for interviews:

  • What does [Name of Organization] do?
  • What adjectives or phrases would you use to describe [Name of Organization]?
  • How do you compare [Name of Organization] to [Name of Competing Organization]?
  • What is your impression of [Name of Organization]’s communication tools?

Write a creative brief

Now that you have done all your homework, summarize your findings and put it in writing. This doesn’t have to be a long and tedious job. A creative brief should be just that — brief. You need a written statement that can be reviewed and approved by the people who have the authority to accept or reject the new visual identity. If they don’t agree with the assumptions and findings that will guide the creative work, no design can win approval.

How long does this beginning process take? We’ve had Discovery take as little as two weeks or as long as ten months. Of course, the extent of the external research has a huge impact on timing. Don’t skimp on this process. Don’t let it bog down the momentum. Let your creative services team guide the process, make recommendations and keep things moving along. That’s why you hired them, right?

 

Coming next week: Logo Design Part 2: The Creative

 

 

BZZZ of the Week: Peek

Tuesday, June 21st, 2011

A weekly post of catchwords that buzz around today. The BZZZ for this week is: Peek.

Apple’s product and packaging design always impress the heck out of me. The smart cover of the iPad is one more amazing solution: simple, classy and works like a charm. How does that magnet know exactly where to attach so the cover is in place every single time??

My admiration just rose to a new level with the app from Evernote, the group that is making it socially acceptable to take your iPad to business presentations. This learning tool incorporates the cover’s flip section functionality into use of the iPad itself. Peek, as the app is appropriately named, turns the iPad into a Q&A book. I can’t wait to try it out at test study time with my grandkids. This is going to make those vocabulary quizzes a whole lot more fun.

Apple may be all about mind-boggling technology, but it’s also the design that sets this company apart. Thanks, Apple, for confirming that design makes good business sense.

BZZZ of the week: mCommerce, mmm good?

Tuesday, June 14th, 2011

A weekly post of catchwords that buzz around today. The BZZZ for this week is: mCommerce.

First came the “e” words; email, ebooks, ecommerce. Then the “i” words iMac, iPhoto, iWork, iCloud. And now the “m” words; that’s “m” as in mobile.

It’s a mobile world, folks. We’re reading, buying, donating, downloading, facebooking on the go. Look at these trends from Neilsen, Gartner and the Pew Research Center:

  • Wireless Internet usage grew by a whopping 51% from May 2009 to May 2010.
  • By 2013, more people will use a mobile device to access the web than a desktop computer.
  • 90% of 18-29 year-olds now own a cell phone.
  • By the end of this year there will be more smart phones in the US market than feature phones

Forrester Research is hosting a webinar for retailers on selecting and implementing an mCommerce offering. Last week after Steve Jobs announced the launch of Apple’s iCloud, Paul Saffo, managing director of foresight (love that title!) at Discern Analytics said, “The whole idea of a stand-alone personal computer with a big processor is going the way of the VCR…”

Wow. If you’re not into mMarketing, mGiving and mCommerce, go there now! My prediction:  Mobile is going to be the word of the decade for marketing and communications.

BZZZ of the week: Crowdsourcing

Wednesday, June 8th, 2011

A weekly post of catchwords that buzz around today. The BZZZ for this week is: Crowdsourcing.

The Department of the Interior is crowdsourcing the design of its new logo. What’s that mean?

According to Jeff Howe, a contributing editor for Wired Magazine, crowdsourcing is when a company takes a job that was once performed by employees [or specialists] and outsources it in the form of an open call to a large, undefined group of people, generally using the Internet.

The Department of Interior has posted a creative brief on crowdspring.com inviting any interested party to submit logo concepts, not for a sub-level program or one-time event, but for the agency itself. If your logo is chosen, you receive $1,000. You also can’t claim public credit for your work.

The design community that I’m a part of is buzzing with indignation (and fear?) about the prospect of a major government agency so commoditizing the brand development process. We spend years developing the skills to create visual branding founded on thorough research and a carefully honed process. Now the masses get a one-page creative brief, $1,000 carrot dangling in front of them and two weeks to do the job on spec. It’s a slam to our profession and a threat to our businesses.

Well, welcome to the club. Jeff Howe’s recent article shows how crowdsourcing is impacting everything from software development to scientific research and development to photography.

There’s a petition circulating that urges the Department of Interior to reconsider and withdraw its posting, but I don’t have much hope that it will happen. Hundreds of people have already submitted concepts. Some are horrible, some not bad visually. None are based on any depth of understanding about the Department’s audience and what the agency needs to accomplish with this identity.

Crowdsourcing is a practice that is not going to go away. For me, it’s sounding a death knell for quality, not just in my profession, but probably yours, too.