|
Buying Photography and Illustration
Wisely
Finding the right photographs and illustrations for your communications
materials can be tricky. Here are the choices you have:
commission a photographer or illustrator
to
create something
that’s uniquely yours
select from images in a stock library
use royalty-free images
supply photographs yourself
Each option has its own advantages and disadvantages. Choosing from existing
images or what you know is least expensive can feel safe. But allowing
an element of the unknown into your project may result in a better return
on your investment.
Custom photography
Surprisingly, hiring a photographer or illustrator may be the most economical
choice, especially if you need a number of images and are planning to
use them in a variety of ways. Also, if having a one-of-a-kind solution
is a priority, commissioning art will ensure that no one else’s
materials look like yours. Your design team can help you review portfolios
and guide you to the right choice of who to work with based on expertise,
style, cost and compatibility. The process of deciding on what images
to shoot or create is integral to the design process, and it is wise let
your design team take the lead on this. Give them the overall feeling
you want to convey. Stay involved. Ask questions. Review preliminary concepts.
Most of all, be willing to risk going with a bit of the unknown, and trust
the creative process.
Stock photography
Stock libraries are vast and make images available that you might never
be able to commission. The cost of using licensed images is based on what
your organization does (corporate or not-for-profit), placement of the
image (e.g. on the cover or inside pagges), final size, quantity being
printed and geographic distribution. With use on the internet, the pricing
becomes even more complex. Costs vary among stock houses and are sometimes
open for negotiation. And in spite of the big price tag, you may still
see your image in use by another organization. Contracts from stock photography
agencies have lots of fine print. If your design firm is handling the
negotiations, ask to review contract details with them to make sure you
understand the complete agreement.
Online, royalty-free images
Royalty-free photos and illustrations allow you to have professional
images for minimal cost. Online libraries are extensive, and images are
available immediately. Even generic images can be blended together into
interesting, highly communicative illustrations. Be aware, however, that
you may see the images used for your materials in someone else’s
promotional literature. It’s disappointing to see the glowing mother/child
photo you have on the cover of your family services brochure also selling
fast food on the billboard down the street.
Do it yourself
Think carefully about providing your own photos. Granted, this is certainly
the least
expensive route. And, if the image is properly exposed, crisply in focus
and well composed, it may be a good option. But remember, no amount of
Photoshop design “magic” can turn a flawed snapshot into an
Ansel Adams poster.
One last bit of advice
Remember, with custom and stock photography you are purchasing only reproduction
rights, not actual art. Ownership stays with the photographer or artist—unless
you contract for a complete buy out, and that’s a big investment.
For example, if you purchase usage of a photograph for your fundraising
brochure, that doesn’t mean you can automatically use the image
on your web site or use it again when you reprint the brochure for next
year’s campaign. Think about every possible usage you might have
for the image, and include it in the original contract. It’s always
more expensive if you have to go back later to purchase additional rights.
No matter what direction you decide to go, don’t hesitate to talk
with your design team about budget and expenses. Make sure you understand
all the costs involved and what rights you are purchasing. Working together,
you can expect a great solution—and no shocks at invoice time.
. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . .
More tips on purchasing creative services. >
|